Kritische Ausgabe für Violine und Basso continuo, Schwierigkeitsgrad: mittel.
Unvollständige Werke.
The
vast majority of violin sonatas from Vivaldi’s time, including those of
Vivaldi himself, have come down to us in the form of a score employing
two staves: one for violin, and one for bass. This guarantees that,
although portions of the work may be missing, what survives is textually
complete.
Exceptionally, five of Vivaldi’s violin sonatas are
preserved solely in a partbook for violin held by the Diözesanarchiv
Graz, the complementary part for cello having disappeared. The sonatas
appear to date from the period between the Dresden group (1716-1717) and
the Manchester set (c. 1726). Three of the sonatas, which all have four
movements, possess partial concordances in other sources, with which
they share two or three movements, but two of them – RV 11 and RV 37 –
have so far been found only in Graz (with the exception of an incipit
for RV 11 found in a contemporary thematic catalogue). This critical
edition makes these two works available for study and performance. The
bass part is an editorial reconstruction, and there is in addition a
realization of the continuo by the editor.
Komponist: Antonio Vivaldi.
Titel: Sonate per violino e basso continuo – Opere incomplete.
Herausgeber: Michael Talbot.
Ausgabe: Spielpartitur Violine mit beziffertem Bass und ausgesetzter Continuostimme.
Format: broschiert, 44 Seiten.
Sprachen: italienisch/englisch.
Verlag: Ricordi PR1440.